ernest: (Default)
Fandoms: Twelfth Night, Hamlet
Characters: Viola, Hamlet, Claudius (mentioned), Gertrude (mentioned
Warnings: Horror, Surreal, Doppelgangers
Word Count: 1260
Summary: Viola holds, as 'twere, a mirror up to nature, and enters a castle sealed tight as a tomb

From a prompt generated by [personal profile] thisbluespirit : "Viola + Hamlet - doppelganger & stranded/survival scenario"




Lost on the high seas and sent down the wrong leg of the Trousers of Time, Viola never ends up in the funhouse mirrors of Illyria. She has no reason to recall the stories her father has told her of that country where nothing is but what is not. As she approaches the castle of Elsinore in her guise of a page she has no way of knowing that the reflections hidden behind its rough-hewn battlements are shadows of motion glinting off polished marble, and two-way mirrors that give all hallways the sterile glare and dim horror of an interrogation cell.
 
The front entrance is clearly only intended for the use of visiting dignitaries and the imposing expanse of wood unnerves her. Telling herself that it is only because she would not wish to inconvenience the doubtless dozens of people it would take to operate it, she moves around to the side, where she finds a door meant for daily use: more extravagant than those used by servants, but less overwhelming than the first. But actually, “daily use” may be pushing it, because this whole lonely place feels like somewhere whose inhabitants rarely leave it, and which hardly ever receives visitors. It is sealed up tight. Still, Viola knocks; her circumstances do not afford her many options.
 
ernest: (Default)
 Fandoms: Hamlet, Twelfth Night
Pairings: Orsino/Viola
Characters: Laertes, Orsino
Warnings: Mild Internalized Homophobia, Self Esteem Issues
Word Count: 744
Summary: Laertes recognizes another primrose libertine when he sees one, and does what he can to relieve the shame that should not have to come with it but so often does.

Written for a prompt generated by [personal profile] thisbluespirit : "Laertes + Orsino - Pets/Animals & forced to face fear"




     It’s nothing new to see the Duke of Illyria strewn across a sofa weeping at poetry, which is either bad because he wrote it himself, or just a classic verse with the name of his beloved woven through its lines. What is new is the name whose features he extols with every breath. New, but not exactly surprising to hear Olivia replaced with Cesario.

     Laertes smiles the secret smile of one who sees that he is not alone in a community of like-minded lovers, that he’s always suspected sprawls underground for miles. From he first introduction he was sure he recognized a kindred soul in Orsino. Of course, it would have been uncouth to ask, and in some lands even dangerous, if a ruler felt threatened enough by the suggestion.

     When he was a boy, his sister went missing for several hours, and he was glad of it, because it meant he was not his father’s only wayward child, and that Ophelia had not grown as far apart from him as he sometimes feared. The dutiful son for once, he set out looking for her before their father could notice she was gone.

     If he was proud of her rough edges, he was prouder still to learn that her secret was as soft as the pair of kittens she and the prince had found in the stables. He melted as readily then as he does now to discover that beneath all of Orsino’s dramatics beats a foolishly sentimental heart, like anyone else’s. At last, they have something in common.

     He must make some noise, because Orsino slides out of his reverie and notices Laertes looking. He startles like Ophelia did back then at the moment of discovery. The difference here is that Laertes’ sister immediately opened up to let him into this previously unimagined corner of her world, but his lord walls himself off at once. Well, a ruler can be afraid just as easily as a citizen, Laertes thinks, and perhaps more so, with so much further to fall.

     Orsino stands without hurry and smooths the brocade at the front of his doublet. “Whatever you think you saw, Laertes, you will put it from your mind and keep it from your tongue.”

     “Just as you say.” But though Laertes inclines his head in assent he finds he cannot in good conscience allow this man to go on believing he is alone. “Good my lord, I have to wonder why you should be ashamed of such a tender thing when you are so open about everything else.”

     “I know it’s wrong.” The duke shuffles his feet and cannot meet Laertes eyes. “I know it does me dishonor.”

     “To love a man.” he says flatly, arms crossed.

     “No! To love a man not for who he is, but for the woman he might have been, were the world different. Or to love a woman because I can see what a fine gentleman she could make. I’ve done both, and it is most unmannerly of me to twist a person into what they never intended to be.”

     “You needn’t fear rejection, you know. I’ve seen the way Cesario looks at you when he thinks no one can see. The youth’s infatuated.”

     Orsino groans. “I thought I saw as much in him, and that only makes it worse! What sort of wretch would I be to let that love flourish if I go on seeing him for someone he is not?”

     “So talk to him,” Laertes chides. “After all, a maidenly blush or a firm jaw is only a feature like anything else that draws you on or repels you about another human being. That you are so concerned already is proof that you would not simply replace him with the image in your mind.”

     “I’m afraid,” whispers the duke.

     “Yes, I can see that. I was too, when I first entered this new world. But it’s okay. It’s going to be okay. There are men who dress like women, and women who dress like men, but there are also those who discover they were never women and are much happier as the men they were all along. And others are neither one, but something else entirely. There’s room for all these folks and room to love all of them, too. You have a place here, if you want it, I promise you that.”

     “Thank you, Laertes,” he says fervently. “You’ve lifted a great weight from my mind.”
ernest: (Default)
 Title: Almost, at times, a Fool
Fandom: Hamlet
Verse: Ohtori AU
Characters: Fortinbras, Hamlet
Summary: Fortinbras, in the Confession Elevator, takes what is offered to him, and then he takes what is not.
Word Count: 302
Warnings: violence, suicidal ideation, manipulation

And would it have been worth it after all?

     Fortinbras spins the black ring with the rose seal around and around his finger until its blur matches the elevator descending among one hundred coffins. It’s time to decide what world he will leave behind him.


     He recalls how the Rose Bride serves him tea and cake and ices, and he knows how easily that ice can melt into the water which drowns. He knows, too, the names of the poisons which are harder to detect under an overwhelming and unbearable sweetness. But if he makes Ophelia his own, at least he’d be safe from her maneuvering, he thinks. She might continue to despise him but under the rules of the game she’d have less room to act on that feeling, and isn’t that akin to safety in a place like this?

     Ohtori is in crisis already, so he’d hardly be pushing the moment at all, but seizing it for himself. It’s what he deserves and what his father deserves, and why shouldn’t he do what Hamlet’s always done?

     You are not Prince Hamlet, nor were meant to be, whispers the voice in his head that always sounds disturbingly similar to Chairman Dansker’s.

     No, but he could have been, he thinks. When he’s done sobbing he stands up so quickly that the chair he’s been in falls over, its clang echoing too loudly in the confessional booth silence. It’s time to revolutionize the world.

     The prince paces before him with no mind to any audience he might have, and goes back and forth on whether he has the strength to his quietus make. The question that throbs at the skull of Fortinbras now is “Do I dare? and do I dare?” He finds his answer in the blade he pulls from Hamlet’s chest.

chronicle

Nov. 7th, 2019 01:46 am
ernest: (lemony snicket)
Fandom: Pathologic
This Fic Contains: Death, existentialism, time loops, TS Eliot
Disclaimer: I've never played Pathologic in my life but I've had extensive conversations with[personal profile] little_lady_d about the setting and Lore
Alternate Title: What Is Going On With This Goth Theater Kid
Word Count: 220

chronicle

     you chronicle your own decay. there are so many ways to die, some noble but plenty of gruesome ones, and you are well-practiced in all of them. down the line someone may find it instructive, or entertaining, or somehow protective. you hope.

     perhaps that someone will be yourself, returned to the beginning with no memory of how you got there or of what was always going to have happened again. when you read over the mess of tenses and auxiliary verbs, you shrug in an arcane tangle of ink. well. it wouldn’t be the first time.

     other thinkers measure their lives in coffee spoons or peach pits; you are more interested in how the Shadow Falls between the walnut shell and the lock-pick. your pages tell you that you have been preoccupied with the Hollow Men and the skittering thoughts behind those impassive faces. you cannot remember the last time you slept but you still dream all the time, and in your dreams you are continually guttering, choking, drowning.

     out, out, brief candle. you plunge into the end, into an end at any rate, though to what end you could not say. you cannot speak. game over, but not for you. time to take it from the top.

     look here: someone was thoughtful enough to chronicle their own decay.


ernest: (don't panic)
Fandom: Greek Mythology
Characters: Icarus, the sun
Word Count: 459 
Summary: Icarus takes it slow

This time round, Icarus takes it slow. Anyone who told him that his failure was in thinking himself exceptional just doesn’t know what they’re talking about. He could have become a thing to be marveled at the first time, and he will be that again. But not even a genius can go from standing still to soaring overhead on the wings of glory, and Icarus is far from a genius, merely brilliant. He never knew in his former youth, or he forgot, that you have to run before you can fly, and he plans to do just that.

He practices in the early mornings, just as the sun begins to grace the sands with her light, but before the surface of the beach can burn his feet up with so much love. For the first few weeks he doesn’t even bring the wings of wax and wood with him. He runs for long stretches and then jumps up, where he seems in the air to stick. He never had a problem with take-offs before, but practice means every part, even what is already known. And he never learned how to land, either.

The first dawn that he takes the newly constructed wings out of his sack brings him to tears. The feathers used were mostly white and dun, built as a tool but not themselves a work of art. But when the sleepy strands of daylight wrap themselves around those ordinary colors, they are transformed into pink and aching blue; water and flame and flights of fancy. To think that he could soon be a part of that, and not because he’s fleeing, but merely for the joy and beauty of it, it makes him tremble.

It wasn’t only patience he lacked before, but humility, and the understanding that no one is in this alone. His body and its movements are art, but so is the contraption that gets him up there against the canvas of the sky, as is the sky itself, and even all the poetry that’s been written about his failure. He keeps inching forward while giving thanks for everyone who’s helped him along the way, until the day he is ready to take a running leap off the nearest cliff.

To any onlooker he would seem to plunge straight to his doom, but he catches the air beneath him at just the right instant and swells back up in an inferno of plumes. He approaches the sun again, but he’s smart about it: it is not an imposition, but an invitation, and when she accepts, they dance. He’d love to stay forever, but he can tell when it is time to gracefully dismount the stage.

In this new life of his, Icarus never fell once.


ernest: (Default)
 My hadestown submarine verse needs a name, so should it be...


1- Krakentown

2- Time to Hit the Whale Road

3- Any Wave the Sea Flows
ernest: (Default)
Fandom: Good Omens
Verse: Ohtori
Pairings: Crowley/Aziraphale
Characters: Crowley, Aziraphale, Hastur
Minor characters: Adam Young, Dog, Warlock Dowling
Word Count: 1020

Warnings: Suicide attempt, presumed death, non-graphic violence, The Swords Of Hatred

Crowley’s hand closes around Aziraphale’s wrist just in time, and he holds on tight for Somebody’s sake. This isn’t fingers twined in hope and goodbye while the ground opens up for the Morning Star. That was simple compared to this: one grand gesture versus two scared and lonely people who don’t know what they can do for each other.

“Just let me go.” Aziraphale doesn’t scream or beg, his voice too deadened to even sound resigned to the Fall. “Please. It hurts so much.”

Read more... )
ernest: (Default)
Fandom: Hadestown
Verse: COUNTER/Weight
Pairings: Hades/Persephone
Characters: Hades, Persephone
Word Count: 50
 
     the weapon that scarred this planet was conceived as a deliverance. all Hades wanted was to secure a piece of Earth Prime for his wife who missed it so much.
 
     but Peace and Order balanced each other out: the gently spinning satellite of green is now seen through unbreathable air.

 
Fandom: Hadestown
Verse: Star Trek
Pairing: Hades/Persephone
Characters: Hades, Persephone
Word Count: 87

     "Captain, I truly must protest."

     "Commander Kore, I don't give a toss about the Prime Directive. These folks have found a way to automate even death and jealousy and I intend to take full advantage."

     There is a black hole where Hades face used to be. Persephone blinks away tears.

     "Now then. You can either follow me to the Plutonian Shores below, or you can get there yourself with another one of those drinks we both pretend I don't know you smuggle in."

     "No. I've had enough."


Fandom: Hadestown
Verse: Submarine Verse
Pairing: Eurydice/Orpheus
Characters: Eurydice, Orpheus, Hades
Word Count: 579


     Sonar is a way to see but Orpheus, somehow, shapes the currents around their airtight home into something extraordinary. It isn't done yet, but even so it *can* do this!

     Eurydice doesn't want a life that's anything but this, but stopping his work won't keep the sea from flowing.
*
     They hit a dead zone in the middle of the ocean. Eurydice with all her hopeful cynicism could not keep the sea from flowing but here something obviously *has*. She can see no movement, no sign of life or growth or change, even for an environment where all of these things can look very different than they do above the surface.

Read more... )
ernest: (Default)
Fandom: Good Omens
Verse: Ohtori
Pairings: Crowley/Aziraphale
Characters: Crowley, Aziraphale, Gabriel, Agnes Nutter
Word Count: 577

Warnings: death mention, non-graphic violence, (temporary) animal death

Crowley, flaming sword between his ribs, forces himself up from the floor and crawls forward, limb by Fallen limb.

Gabriel still wears that blessed smirk, still waves a lofty hand at a pillar of flame, still sips a fruity drink, waiting for an angel to deliver himself into doom.

Remembering a burning bookshop and the taste of ash he screams the angel's name, and smashes a Principality's ring into the floor.

And an infinity of floors down, in a coffin shaped like a bathtub, Aziraphale glimpses the crack that might flood his brain with light.

*

this is an apocalypse story, maybe there are cycles where they switch roles, maybe they learn to shake each other out of it each time


Read more... )
ernest: (Default)
Title: Pulling the Strings
Fandom: Hamlet
Characters: Guildenstern, the Player
Summary: Predestination or manipulation, it hardly matters, except when it does.
Word Count: 200

The Player pulls the strings, but even he has been written to do so. Sometimes Guildenstern finds it a comfort to think that he’s not writing them into a corner so much as he’s read an act ahead and just knows how these things go. Sometimes that’s worse.

If someone had asked him back in his Wittenberg days he would have said without hesitation that of course manipulation is a worse fate than predestination. Now he’s tasted both — at least he’s fervently believed at various points that he was experiencing one of the other, and isn’t belief a central aspect of one’s personal reality? More and more he thinks he’d rather have someone push his actions to their own ends. He’d have a choice then, wouldn’t he? Even if the puppetmaster in question has studied him thoroughly enough to say with reasonable certainty that he’d respond one way, it doesn’t mean they know. It is a terrifying prospect, to be known, and he’s not sure that his closest friends who understand him best really know him. This impenetrability could feel absolutely isolating if he were a different man, but the distance between souls is as natural as that between electrons.
ernest: (Default)
Title: Script Doctoring
Fandom: Hamlet, Rosencrantz and Guildenstern are Dead
Verse: The Good Place
Characters: The Player, Alfred
Summary: The Player can of course fill any role admirably, but he’s never quite gotten used to that of a director.
Word Count: 572


Read more... )
ernest: (Default)
Title: Landscape Portraiture
Fandom: Hamlet, Rosencrantz and Guildenstern are Dead
Verse: none
Characters: Guildenstern, Rosencrantz
Summary: The only ones who can see the whole picture are those who step out of the frame.
Word Count: 372

     “We have been spinning coins together since, I don’t know when, and in all that time (if it is all that time),” Guil muses as he flips another coin, “the only faces we’ve seen have belonged to each other and the—”

     “Heads.”

     “—of long-dead emperors and slightly less ancient kings. Now this road seems to be well-traveled, and this seems to be the time of day for traveling, so don’t you think it’s odd?”

     Ros jumps a little. “Odd?” he demands.

     “To have seen no one!”

     “Lonely perhaps, but not odd. Besides, I’ve seen you all this time, so it’s hardly even lonely either.”

     “Have you no sense for the bigger picture?”

     Ros makes the coin dance. “When it lands tails I’ll consider that picture, but even then it won’t show an image much grander than a building of state. An aqueduct if you’re lucky. Besides, coins only get so big.”

     Guil shakes his head with a pursed lip. “You don’t catch my meaning.” Gently, he turns Ros by the shoulders to survey the path they’ve already taken, the steep cliffs, the trees blurring to vistas. “I’m talking about the world of ideas, see? Wheels within wheels, great men who need little men like us, rationalism and abstractions, and chiefly the fact that we should have encountered people at some point in our journey!”

     “Oh, that kind of bigger picture.” He tilts his head and says, “If it helps, I think I hear a band.”

     ***

     But it occurs to him that since the actors’ backdrop fell on them and they fought free of the draperies of opulence, there have been no more landscapes. The ubiquitous features of Elsinore are walls, and those can be found equally in architecture and communication. The closest they come to the outdoors is still a courtyard which bricks them in and echoes eerily. And even the mournful wind that blew through the night has given way to a weeping woman and the occasional draught. Their situation can’t be summed up in portrait orientations either, as neither the outward nor inward prince resembles what he was. What they get are snapshots, just enough information to change what they thought they knew and then leave them hanging.
ernest: (Default)
Title: deep in the dream chamber
Fandom: Hamlet
Verse: Ohtori AU
Characters: Ophelia, Laertes, Claudius
Summary: Marked by dead men's fingers, Ophelia swims through currents of time.
Word Count: 765
Warnings: death mention, implied violence, traumatic memories

laertes is so young, they all are, and ophelia pities them their innocence )
ernest: (Default)
Title: Two Closet Scenes
Fandom: Hamlet
Verse: Changeling AU
Characters: Hamlet, Ophelia, Gertrude
Summary: Hamlet, lost, visits his girlfriend's bedroom. Hamlet, angry, visits his mother's.
Word Count: 793


Hamlet and Ophelia )

Hamlet and Gertrude )
ernest: (Default)
 Title: To Incite An Incident
Fandom: Rosencrantz and Guildenstern are Dead
Verse:Good Place AU
Characters: Rosencrantz, Guildenstern, Alfred, Reynaldo
Pairings: Alfred/Rosencrantz

Summary: There is an art to the building up of suspense 
Word Count: 563

Read more... )
ernest: (Default)
 They should, thinks Guildenstern, be the best equipped to understand what’s going on at this school in all its layers of complexity. Didn’t the Player say they only exist at all as vehicles to offer commentary on the main plot? And yet, he’s never been given a script — not for the wild workings of the wider world, and not for his own scenes, even. He and Rosencrantz only get their sides, with a few trailing words for their cues, divorced from any meaningful context. And sometimes they even get a props list, oh happy day!

At least, he thinks both of them are kept in the same dark, the better for their shadow selves to be thrown into the screen with sharper clarity. It’s hard to tell with Rosencrantz, though. He travels through his days with an unconcerned ease that Guildenstern alternately envies and finds humanly impossible. Surely the only reasonable explanation is that he’s discovered some deep-down secret of the universe that makes it all bearable. Or, that’s just how he is, and how Guildenstern will never be.

All of the problems with which Rosencrantz concerns himself can be solved by their own components without the endless cross-referencing to which Guildenstern has become accustomed. Thus, he finds himself perfectly at home on stage with its self-contained skits, and has a particular talent for improvisation. The ability to bring a story to a fitting conclusion without waiting for it to be delivered by someone else is a potentially life-saving one.

In today’s scene they are dealing with… love? Or else… fish, perhaps. It can be hard to tell the difference sometimes. Regardless, they will be set on a boat, which is funny because — no, because nothing. A boat signifies nothing at all, which is to say it does not signify anything. Meanwhile, Nothingness is… not in this sketch. Well, no more than it is in any of their other performances. It might be different if the wind was southerly, but that’s not true either.
ernest: (Default)
Title: A Palpable Riposte
Fandom: Rosencrantz and Guildenstern are Dead, Hamlet
Verse:Good Place AU
Pairings: Osric/Hamlet, Rosencrantz/Polonius

Summary: Hamlet and Osric are soulmates, which means they must be foils. Or maybe not.
Word Count: 1024

ernest: (Default)
“Ah – um – Alfred?” Rosencrantz’s arm jerks up and down as if he’s jostling for a word in edgewise in the middle of a crowd, even though he’s alone.
Alfred chimes into the space with the music made by two coins together, wearing only the gauziest suggestion of a dress: “How can I help?”
“Yes – ah – now when the Player said ‘private viewing’ at the orientation, does that mean… that is to say… look, do you want to get married?”
 
 
 
 
ernest: (lemony snicket)
This verse started with my response to a prompt on the Three Sentence Ficathon:

“No, I’m Guilden the Sluagh, you’re a Boggan named Crantz!”

“We’re playing Changeling, not Stay-the-Sameling, so we have to switch out sheets once in a while, right?”

“That’s – that’s not – no, that’s not how anything works.” 


and then spiraled off into a whole bunch of fills for the TSF, and a few longer bits I wrote by myself. Enjoy!

 
And all should cry, Beware! Beware / his flashing eyes, his floating hair
When a spirit’s time has ended it suffuses into a form even less substantial than before, unable to effect any change at all, or if royalty, its essence settles into the land itself and strengthens the bones. This shade of a shade is too real, too present, something from which the mortals would shudder with even more terror than from the Nothingness that claws at their sleeves in the presence of ordinary sprites.

The gaze of the thing which used to be his father the king drags him to his knees; “Speak,” Hamlet rasps out, “I am bound to hear.”


 
“don’t turn into a snake. It never helps.”
The serpent that stung his father’s life now wears his crown. He knew he wasn’t imagining the scales on that usurper’s shoulders at the coronation, though the glamour Claudius had used was good enough to fool those who wanted to believe this would be enough to bring the Dreaming back into the world.

It would be fitting to poison the so-called king in return, but it’s clear Hamlet needs to find something that will stick – he starts by shedding one skin for another and plays the role of a son unhinged by grief.
ernest: (Default)
Title: Decades and Mysteries
Fandom: Rosencrantz and Guildenstern are Dead
Characters/Pairings: Guildenstern
Summary: He winds the permanent blur through his fingers
Word Count: 234

All your life you live so close to the truth… Guildenstern is not a religious or spiritual man, and only barely a humanist, but he winds the permanent blur through his fingers like it’s a rosary. The truth must remain in constant circulation, not only for something to focus on, but because he must never be allowed to grasp it.
 
They’re in the wrong genre, he thinks with a jolt. They should have been a comedy duo on Vaudeville, or flinty-eyed detectives in an adaptation of Agatha Christie, maybe even theater of the absurd. But this? This is tragedy dripping into every crevice, hiding around every corner, and gone as soon as they’ve followed it down the eerily blank hallways. The whole world is a stage thrust into disaster, and they’re it. Not the bumbling sidekicks, not the cronies too ineffective to even be sinister, not the only ones left at the end whose job is to mourn and to remember, but the focus of all this woe. And they’re not any good at dying, either!
 
His train of thought slips away from him, and he tries to retrace his steps and reel it back in, but no, it’s too late. The beads are already on the move again, decades and mysteries rolling over his palm, under his tongue, through his mind. No way forward but forward, and he’ll know better next time.

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ernest: (Default)
++they took the world in their hands++

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