ernest: (Default)
Fandoms: Twelfth Night, Hamlet
Characters: Viola, Hamlet, Claudius (mentioned), Gertrude (mentioned
Warnings: Horror, Surreal, Doppelgangers
Word Count: 1260
Summary: Viola holds, as 'twere, a mirror up to nature, and enters a castle sealed tight as a tomb

From a prompt generated by [personal profile] thisbluespirit : "Viola + Hamlet - doppelganger & stranded/survival scenario"




Lost on the high seas and sent down the wrong leg of the Trousers of Time, Viola never ends up in the funhouse mirrors of Illyria. She has no reason to recall the stories her father has told her of that country where nothing is but what is not. As she approaches the castle of Elsinore in her guise of a page she has no way of knowing that the reflections hidden behind its rough-hewn battlements are shadows of motion glinting off polished marble, and two-way mirrors that give all hallways the sterile glare and dim horror of an interrogation cell.
 
The front entrance is clearly only intended for the use of visiting dignitaries and the imposing expanse of wood unnerves her. Telling herself that it is only because she would not wish to inconvenience the doubtless dozens of people it would take to operate it, she moves around to the side, where she finds a door meant for daily use: more extravagant than those used by servants, but less overwhelming than the first. But actually, “daily use” may be pushing it, because this whole lonely place feels like somewhere whose inhabitants rarely leave it, and which hardly ever receives visitors. It is sealed up tight. Still, Viola knocks; her circumstances do not afford her many options.
 
ernest: (Default)
 Fandoms: Hamlet, Twelfth Night
Pairings: Orsino/Viola
Characters: Laertes, Orsino
Warnings: Mild Internalized Homophobia, Self Esteem Issues
Word Count: 744
Summary: Laertes recognizes another primrose libertine when he sees one, and does what he can to relieve the shame that should not have to come with it but so often does.

Written for a prompt generated by [personal profile] thisbluespirit : "Laertes + Orsino - Pets/Animals & forced to face fear"




     It’s nothing new to see the Duke of Illyria strewn across a sofa weeping at poetry, which is either bad because he wrote it himself, or just a classic verse with the name of his beloved woven through its lines. What is new is the name whose features he extols with every breath. New, but not exactly surprising to hear Olivia replaced with Cesario.

     Laertes smiles the secret smile of one who sees that he is not alone in a community of like-minded lovers, that he’s always suspected sprawls underground for miles. From he first introduction he was sure he recognized a kindred soul in Orsino. Of course, it would have been uncouth to ask, and in some lands even dangerous, if a ruler felt threatened enough by the suggestion.

     When he was a boy, his sister went missing for several hours, and he was glad of it, because it meant he was not his father’s only wayward child, and that Ophelia had not grown as far apart from him as he sometimes feared. The dutiful son for once, he set out looking for her before their father could notice she was gone.

     If he was proud of her rough edges, he was prouder still to learn that her secret was as soft as the pair of kittens she and the prince had found in the stables. He melted as readily then as he does now to discover that beneath all of Orsino’s dramatics beats a foolishly sentimental heart, like anyone else’s. At last, they have something in common.

     He must make some noise, because Orsino slides out of his reverie and notices Laertes looking. He startles like Ophelia did back then at the moment of discovery. The difference here is that Laertes’ sister immediately opened up to let him into this previously unimagined corner of her world, but his lord walls himself off at once. Well, a ruler can be afraid just as easily as a citizen, Laertes thinks, and perhaps more so, with so much further to fall.

     Orsino stands without hurry and smooths the brocade at the front of his doublet. “Whatever you think you saw, Laertes, you will put it from your mind and keep it from your tongue.”

     “Just as you say.” But though Laertes inclines his head in assent he finds he cannot in good conscience allow this man to go on believing he is alone. “Good my lord, I have to wonder why you should be ashamed of such a tender thing when you are so open about everything else.”

     “I know it’s wrong.” The duke shuffles his feet and cannot meet Laertes eyes. “I know it does me dishonor.”

     “To love a man.” he says flatly, arms crossed.

     “No! To love a man not for who he is, but for the woman he might have been, were the world different. Or to love a woman because I can see what a fine gentleman she could make. I’ve done both, and it is most unmannerly of me to twist a person into what they never intended to be.”

     “You needn’t fear rejection, you know. I’ve seen the way Cesario looks at you when he thinks no one can see. The youth’s infatuated.”

     Orsino groans. “I thought I saw as much in him, and that only makes it worse! What sort of wretch would I be to let that love flourish if I go on seeing him for someone he is not?”

     “So talk to him,” Laertes chides. “After all, a maidenly blush or a firm jaw is only a feature like anything else that draws you on or repels you about another human being. That you are so concerned already is proof that you would not simply replace him with the image in your mind.”

     “I’m afraid,” whispers the duke.

     “Yes, I can see that. I was too, when I first entered this new world. But it’s okay. It’s going to be okay. There are men who dress like women, and women who dress like men, but there are also those who discover they were never women and are much happier as the men they were all along. And others are neither one, but something else entirely. There’s room for all these folks and room to love all of them, too. You have a place here, if you want it, I promise you that.”

     “Thank you, Laertes,” he says fervently. “You’ve lifted a great weight from my mind.”
ernest: (Default)
 I saw a really good production of Twelfth Night yesterday, and I have high standards for this play.

Viola and Feste were both played by nonbinary actors, and if there were ever appropriate characters for that casting choice, it's the person who finds themself in a strange world and moves between identities like water, and the fool who is a self-proclaimed corrupter of words.

Malvolio was played by a woman, which, gosh, everything about that storyline is way sadder with that choice. In this play where everyone is crossing boundaries and one of the most stunning monologues of the whole thing  involves the lines:
What will become of this? As I am a man,
My state is desperate for my master's love.
As I am woman, now, alas the day,
What thriftless sighs shall poor Olivia breathe

then to have Malvolio not only be a servant pining for a master, but also the transgressive attraction of one woman for another, is way sadder. The three main lovers are given grace for their love, but Malvolio isn't, and it's just awful! In the darkened room scene (which is uncomfortable at the best of times) she was just sobbing through the whole thing and begging Feste/Topasz to help her, and emphasized "no man was ever used thus"

I've seen productions where Feste regretted his role in this part of the charade, and kept hesitating before mocking Malvolio some more, while Toby and Maria egged him on. This Feste seemed instead to delight in the havoc and confusion they planted everywhere, and seemed more along the lines of Puck or Ariel, which was a terrific new take on it.

The man playing Sir Andrew was over seven feet tall and moved like a skinny beanpole scarecrow, and he was an absolutely perfect gull for Toby.

Any Twelfth Night worth its salt has Antonio desperately in love with Sebastian, and the really good ones have Sebastian return that love, and this one delivered both! Sebastian dressed like a sad gay poet in a 1950s boys boarding school, and when he saw Antonio in the last scene he ran (straight past Viola) into his arms and gave the purest hug ever.

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