ernest: (Default)
Fandoms: Twelfth Night, Hamlet
Characters: Viola, Hamlet, Claudius (mentioned), Gertrude (mentioned
Warnings: Horror, Surreal, Doppelgangers
Word Count: 1260
Summary: Viola holds, as 'twere, a mirror up to nature, and enters a castle sealed tight as a tomb

From a prompt generated by [personal profile] thisbluespirit : "Viola + Hamlet - doppelganger & stranded/survival scenario"




Lost on the high seas and sent down the wrong leg of the Trousers of Time, Viola never ends up in the funhouse mirrors of Illyria. She has no reason to recall the stories her father has told her of that country where nothing is but what is not. As she approaches the castle of Elsinore in her guise of a page she has no way of knowing that the reflections hidden behind its rough-hewn battlements are shadows of motion glinting off polished marble, and two-way mirrors that give all hallways the sterile glare and dim horror of an interrogation cell.
 
The front entrance is clearly only intended for the use of visiting dignitaries and the imposing expanse of wood unnerves her. Telling herself that it is only because she would not wish to inconvenience the doubtless dozens of people it would take to operate it, she moves around to the side, where she finds a door meant for daily use: more extravagant than those used by servants, but less overwhelming than the first. But actually, “daily use” may be pushing it, because this whole lonely place feels like somewhere whose inhabitants rarely leave it, and which hardly ever receives visitors. It is sealed up tight. Still, Viola knocks; her circumstances do not afford her many options.
 
ernest: (Default)
 Fandoms: Hamlet, Twelfth Night
Pairings: Orsino/Viola
Characters: Laertes, Orsino
Warnings: Mild Internalized Homophobia, Self Esteem Issues
Word Count: 744
Summary: Laertes recognizes another primrose libertine when he sees one, and does what he can to relieve the shame that should not have to come with it but so often does.

Written for a prompt generated by [personal profile] thisbluespirit : "Laertes + Orsino - Pets/Animals & forced to face fear"




     It’s nothing new to see the Duke of Illyria strewn across a sofa weeping at poetry, which is either bad because he wrote it himself, or just a classic verse with the name of his beloved woven through its lines. What is new is the name whose features he extols with every breath. New, but not exactly surprising to hear Olivia replaced with Cesario.

     Laertes smiles the secret smile of one who sees that he is not alone in a community of like-minded lovers, that he’s always suspected sprawls underground for miles. From he first introduction he was sure he recognized a kindred soul in Orsino. Of course, it would have been uncouth to ask, and in some lands even dangerous, if a ruler felt threatened enough by the suggestion.

     When he was a boy, his sister went missing for several hours, and he was glad of it, because it meant he was not his father’s only wayward child, and that Ophelia had not grown as far apart from him as he sometimes feared. The dutiful son for once, he set out looking for her before their father could notice she was gone.

     If he was proud of her rough edges, he was prouder still to learn that her secret was as soft as the pair of kittens she and the prince had found in the stables. He melted as readily then as he does now to discover that beneath all of Orsino’s dramatics beats a foolishly sentimental heart, like anyone else’s. At last, they have something in common.

     He must make some noise, because Orsino slides out of his reverie and notices Laertes looking. He startles like Ophelia did back then at the moment of discovery. The difference here is that Laertes’ sister immediately opened up to let him into this previously unimagined corner of her world, but his lord walls himself off at once. Well, a ruler can be afraid just as easily as a citizen, Laertes thinks, and perhaps more so, with so much further to fall.

     Orsino stands without hurry and smooths the brocade at the front of his doublet. “Whatever you think you saw, Laertes, you will put it from your mind and keep it from your tongue.”

     “Just as you say.” But though Laertes inclines his head in assent he finds he cannot in good conscience allow this man to go on believing he is alone. “Good my lord, I have to wonder why you should be ashamed of such a tender thing when you are so open about everything else.”

     “I know it’s wrong.” The duke shuffles his feet and cannot meet Laertes eyes. “I know it does me dishonor.”

     “To love a man.” he says flatly, arms crossed.

     “No! To love a man not for who he is, but for the woman he might have been, were the world different. Or to love a woman because I can see what a fine gentleman she could make. I’ve done both, and it is most unmannerly of me to twist a person into what they never intended to be.”

     “You needn’t fear rejection, you know. I’ve seen the way Cesario looks at you when he thinks no one can see. The youth’s infatuated.”

     Orsino groans. “I thought I saw as much in him, and that only makes it worse! What sort of wretch would I be to let that love flourish if I go on seeing him for someone he is not?”

     “So talk to him,” Laertes chides. “After all, a maidenly blush or a firm jaw is only a feature like anything else that draws you on or repels you about another human being. That you are so concerned already is proof that you would not simply replace him with the image in your mind.”

     “I’m afraid,” whispers the duke.

     “Yes, I can see that. I was too, when I first entered this new world. But it’s okay. It’s going to be okay. There are men who dress like women, and women who dress like men, but there are also those who discover they were never women and are much happier as the men they were all along. And others are neither one, but something else entirely. There’s room for all these folks and room to love all of them, too. You have a place here, if you want it, I promise you that.”

     “Thank you, Laertes,” he says fervently. “You’ve lifted a great weight from my mind.”
ernest: (don't panic)
Fandom: Greek Mythology
Characters: Icarus, the sun
Word Count: 459 
Summary: Icarus takes it slow

This time round, Icarus takes it slow. Anyone who told him that his failure was in thinking himself exceptional just doesn’t know what they’re talking about. He could have become a thing to be marveled at the first time, and he will be that again. But not even a genius can go from standing still to soaring overhead on the wings of glory, and Icarus is far from a genius, merely brilliant. He never knew in his former youth, or he forgot, that you have to run before you can fly, and he plans to do just that.

He practices in the early mornings, just as the sun begins to grace the sands with her light, but before the surface of the beach can burn his feet up with so much love. For the first few weeks he doesn’t even bring the wings of wax and wood with him. He runs for long stretches and then jumps up, where he seems in the air to stick. He never had a problem with take-offs before, but practice means every part, even what is already known. And he never learned how to land, either.

The first dawn that he takes the newly constructed wings out of his sack brings him to tears. The feathers used were mostly white and dun, built as a tool but not themselves a work of art. But when the sleepy strands of daylight wrap themselves around those ordinary colors, they are transformed into pink and aching blue; water and flame and flights of fancy. To think that he could soon be a part of that, and not because he’s fleeing, but merely for the joy and beauty of it, it makes him tremble.

It wasn’t only patience he lacked before, but humility, and the understanding that no one is in this alone. His body and its movements are art, but so is the contraption that gets him up there against the canvas of the sky, as is the sky itself, and even all the poetry that’s been written about his failure. He keeps inching forward while giving thanks for everyone who’s helped him along the way, until the day he is ready to take a running leap off the nearest cliff.

To any onlooker he would seem to plunge straight to his doom, but he catches the air beneath him at just the right instant and swells back up in an inferno of plumes. He approaches the sun again, but he’s smart about it: it is not an imposition, but an invitation, and when she accepts, they dance. He’d love to stay forever, but he can tell when it is time to gracefully dismount the stage.

In this new life of his, Icarus never fell once.


ernest: (Default)
Fandom: Good Omens
Verse: Ohtori
Pairings: Crowley/Aziraphale
Characters: Crowley, Aziraphale, Gabriel, Agnes Nutter
Word Count: 577

Warnings: death mention, non-graphic violence, (temporary) animal death

Crowley, flaming sword between his ribs, forces himself up from the floor and crawls forward, limb by Fallen limb.

Gabriel still wears that blessed smirk, still waves a lofty hand at a pillar of flame, still sips a fruity drink, waiting for an angel to deliver himself into doom.

Remembering a burning bookshop and the taste of ash he screams the angel's name, and smashes a Principality's ring into the floor.

And an infinity of floors down, in a coffin shaped like a bathtub, Aziraphale glimpses the crack that might flood his brain with light.

*

this is an apocalypse story, maybe there are cycles where they switch roles, maybe they learn to shake each other out of it each time


Read more... )
ernest: (Default)
Title: Pulling the Strings
Fandom: Hamlet
Characters: Guildenstern, the Player
Summary: Predestination or manipulation, it hardly matters, except when it does.
Word Count: 200

The Player pulls the strings, but even he has been written to do so. Sometimes Guildenstern finds it a comfort to think that he’s not writing them into a corner so much as he’s read an act ahead and just knows how these things go. Sometimes that’s worse.

If someone had asked him back in his Wittenberg days he would have said without hesitation that of course manipulation is a worse fate than predestination. Now he’s tasted both — at least he’s fervently believed at various points that he was experiencing one of the other, and isn’t belief a central aspect of one’s personal reality? More and more he thinks he’d rather have someone push his actions to their own ends. He’d have a choice then, wouldn’t he? Even if the puppetmaster in question has studied him thoroughly enough to say with reasonable certainty that he’d respond one way, it doesn’t mean they know. It is a terrifying prospect, to be known, and he’s not sure that his closest friends who understand him best really know him. This impenetrability could feel absolutely isolating if he were a different man, but the distance between souls is as natural as that between electrons.
ernest: (Default)
Title: Landscape Portraiture
Fandom: Hamlet, Rosencrantz and Guildenstern are Dead
Verse: none
Characters: Guildenstern, Rosencrantz
Summary: The only ones who can see the whole picture are those who step out of the frame.
Word Count: 372

     “We have been spinning coins together since, I don’t know when, and in all that time (if it is all that time),” Guil muses as he flips another coin, “the only faces we’ve seen have belonged to each other and the—”

     “Heads.”

     “—of long-dead emperors and slightly less ancient kings. Now this road seems to be well-traveled, and this seems to be the time of day for traveling, so don’t you think it’s odd?”

     Ros jumps a little. “Odd?” he demands.

     “To have seen no one!”

     “Lonely perhaps, but not odd. Besides, I’ve seen you all this time, so it’s hardly even lonely either.”

     “Have you no sense for the bigger picture?”

     Ros makes the coin dance. “When it lands tails I’ll consider that picture, but even then it won’t show an image much grander than a building of state. An aqueduct if you’re lucky. Besides, coins only get so big.”

     Guil shakes his head with a pursed lip. “You don’t catch my meaning.” Gently, he turns Ros by the shoulders to survey the path they’ve already taken, the steep cliffs, the trees blurring to vistas. “I’m talking about the world of ideas, see? Wheels within wheels, great men who need little men like us, rationalism and abstractions, and chiefly the fact that we should have encountered people at some point in our journey!”

     “Oh, that kind of bigger picture.” He tilts his head and says, “If it helps, I think I hear a band.”

     ***

     But it occurs to him that since the actors’ backdrop fell on them and they fought free of the draperies of opulence, there have been no more landscapes. The ubiquitous features of Elsinore are walls, and those can be found equally in architecture and communication. The closest they come to the outdoors is still a courtyard which bricks them in and echoes eerily. And even the mournful wind that blew through the night has given way to a weeping woman and the occasional draught. Their situation can’t be summed up in portrait orientations either, as neither the outward nor inward prince resembles what he was. What they get are snapshots, just enough information to change what they thought they knew and then leave them hanging.
ernest: (Default)
Title: Two Closet Scenes
Fandom: Hamlet
Verse: Changeling AU
Characters: Hamlet, Ophelia, Gertrude
Summary: Hamlet, lost, visits his girlfriend's bedroom. Hamlet, angry, visits his mother's.
Word Count: 793


Hamlet and Ophelia )

Hamlet and Gertrude )
ernest: (Default)
 Title: To Incite An Incident
Fandom: Rosencrantz and Guildenstern are Dead
Verse:Good Place AU
Characters: Rosencrantz, Guildenstern, Alfred, Reynaldo
Pairings: Alfred/Rosencrantz

Summary: There is an art to the building up of suspense 
Word Count: 563

Read more... )
ernest: (Default)
Title: A Palpable Riposte
Fandom: Rosencrantz and Guildenstern are Dead, Hamlet
Verse:Good Place AU
Pairings: Osric/Hamlet, Rosencrantz/Polonius

Summary: Hamlet and Osric are soulmates, which means they must be foils. Or maybe not.
Word Count: 1024

ernest: (Default)
“Ah – um – Alfred?” Rosencrantz’s arm jerks up and down as if he’s jostling for a word in edgewise in the middle of a crowd, even though he’s alone.
Alfred chimes into the space with the music made by two coins together, wearing only the gauziest suggestion of a dress: “How can I help?”
“Yes – ah – now when the Player said ‘private viewing’ at the orientation, does that mean… that is to say… look, do you want to get married?”
 
 
 
 
ernest: (Default)
Title: Decades and Mysteries
Fandom: Rosencrantz and Guildenstern are Dead
Characters/Pairings: Guildenstern
Summary: He winds the permanent blur through his fingers
Word Count: 234

All your life you live so close to the truth… Guildenstern is not a religious or spiritual man, and only barely a humanist, but he winds the permanent blur through his fingers like it’s a rosary. The truth must remain in constant circulation, not only for something to focus on, but because he must never be allowed to grasp it.
 
They’re in the wrong genre, he thinks with a jolt. They should have been a comedy duo on Vaudeville, or flinty-eyed detectives in an adaptation of Agatha Christie, maybe even theater of the absurd. But this? This is tragedy dripping into every crevice, hiding around every corner, and gone as soon as they’ve followed it down the eerily blank hallways. The whole world is a stage thrust into disaster, and they’re it. Not the bumbling sidekicks, not the cronies too ineffective to even be sinister, not the only ones left at the end whose job is to mourn and to remember, but the focus of all this woe. And they’re not any good at dying, either!
 
His train of thought slips away from him, and he tries to retrace his steps and reel it back in, but no, it’s too late. The beads are already on the move again, decades and mysteries rolling over his palm, under his tongue, through his mind. No way forward but forward, and he’ll know better next time.

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++they took the world in their hands++

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