Queen of Infinite Space

aaaaaaaaah this is so good. i love the way you’ve cast the boys in the world of ohtori, the way you’ve developed their relationship to the theater and each other. guil’s conviction that ros’s ease in their roles must come from some secret insight reminds me of saionji’s conviction since they were children that touga has grasped ‘something eternal.’ and the self-circling references winding down to the ending, love and fish and nothingness and a wind that’s never southerly, is pitch-perfect. well-done!